Category: Music

Albums of the year 2008

As always, these are determined by number of plays per track, divided by number of tracks (with anything available for free hyperlinked).

  1. Elbow – The Seldom Seen Kid
  2. Isobel Campbell & Mark Lanegan – Sunday at Devil Dirt
  3. Elvis Costello & The Imposters – Momofuku
  4. The Gutter Twins – Saturnalia
  5. Jenny Lewis – Acid Tongue
  6. R.E.M – Accelerate
  7. The Charlatans – You Cross My Path
  8. Fleet Foxes – Fleet Foxes
  9. The Wind Whistles – Window Sills
  10. Okkervil River – The Stage Names
  11. Bob Mould – District Line
  12. Abscondo – Midnight Snow
  13. Mercury Rev – Snowflake Midnight
  14. Amanda Palmer – Who Killed Amanda Palmer?
  15. Girl Talk – Feed the Animals
  16. TV on the Radio – Dear Science
  17. Black Francis – Svn Fngrs
  18. The Rest – Atlantis, Oh Our Saviour
  19. Nick Cave and the Bad Seeds – Dig!!! Lazarus, Dig!!!
  20. The Killers – Day and Age

    See also 2007 and 2006

    I’ll be doing a top 20 free/Creative Commons list later today (in theory).

    Introducing aaahh-records – home of free and charming music

    I’ve just stumbled upon this net label, whilst trying to determine which year the Wind Whistles album was actually released in (the answer being 2007 and 2008 in different places).

    The label has so far only released three albums, but two of them happen to already be on my list of favourite freely available music for this year, which makes me think I’m likely to like anything they put out.

    Death by Panda – All the electronica you’ll ever need (and then some)

    I’ve written about Death by Panda before (around the time I was listening to “House Made of Glass” on repeat). Since then there have been three further albums, all of which explore an area of music that can be disconcerting, but that does a damn fine job of sounding both computer-generated and very human.

    The new album is called Straight Lines in Subjectivity (direct download).

    An interesting find

    I was going to write something about an album by a new British folk singer that I downloaded yesterday, but then tonight I stumbled upon a newer mini album and thought I should probably lump them both together as two records that anyone who likes folk music, music with lyrics, or just music should download and play to death. Robin Grey likes Bob Dylan and Leonard Cohen a lot. He also knows how to write songs, carry a melody, and has a decent grasp of crafting unusual but still accessable lyrics. I’ve played “Only the Missile” a few times over the last 24 hours, but think that “I Love Leonard Cohen” (particularly the title track) shows even more promise, and certainly stands head and shoulders above certain other British singer-songwriters who get played on the radio a lot and have the first name James.

    I’ve also downloaded a fair amount of good music from emusic (Julain Cope, The Wedding Present, Okkervil River and I Am Kloot), but that will have to wait for another post.

    Music as product – where do we go from here?

    I’m not sure whether music can be called as product. But what I do know is that I’m a consumer of music, and as a consumer I like to have some degree of choice over where I obtain music, what I pay for it (if anything), and what I can do with it once I own it.

    The main models of obtaining music are:

    1/ Going to a record shop and buying CDs or vinyl. I do this one very rarely, largely because it is usually the most expensive.

    2/ Buying the same records or CDs online (usually from Amazon). This was my main method of buying music until I ran out of space to store it.

    3/ Paying a set amount of money per album or per song to download DRM protected files (usually from iTunes in my case). It’s convenient, usually cheaper than buying a CD, but there are issues regarding what can and can’t be done with the music afterwards. I’ve bought a fair bit this way, but will probably not buy much more as my Mac (the only computer I use iTunes on) nears the end of it’s life.

    4/ As 3, but without the DRM. I’m currently trying out emusic.com as an alternative to iTunes, and they certainly have enough music I want to make my 2 week trial worthwhile and possibly to consider a subscription. The only downside is that you pay £10.99 a month whether you download songs or not. I don’t ever see myself not downloading music, but you never know.

    5/ As 3, but without the DRM or the cost. This covers sites like Jamendo, and artists who release on a “pay what you like” model. I’m a big fan of this, but not everyone I like does it, and I need more than this sometimes (although did download only free music for 2 months earlier this year and did not die or explode).

    6/ Peer-to-peer sharing of music files (or copying music for friends). It’s a valid option, but not something I do a great deal of in general or would like to condone too much.

    I’ve done all of these in the past, and I think a happy medium is probably the way forward. As is getting a very large hard drive to store music on before I actually run out of space. 160gb sounded like a lot 3 years ago, but if I continue to acquire digital music at the rate I am then I’ll run out of space in months rather than years.

    Severed Fifth – Denied by Reign

    Severed Fifth is the musical alter-ego of Jono Bacon (a name that might be familiar to many Linux users). The album is available from here (various formats), and while it is proper metal, it is also oddly melodic in places. I think if I’d not weaned myself back on to this sort of music with the new Metallica album then I’d hate this. As it is, I think I actually quite like it and would recommend it to anyone who likes their metal fast and loud.

    Review : Atlantis, Oh Our Saviour by The Rest

    I downloaded this album because I liked the front cover. It reminded me of “Funeral” by The Arcade Fire, and I thought that as The Rest were also Canadian they might be operating in the same sort of area. Reviews of this album have even likened it to The Arcade Fire, but also to U2 and other fairly large and commercial bands.

    “Atlantis, Oh Our Saviour” sounds a little like quite a few bands I like, but also does a good job of sounding exactly like it should. There are quiet parts, loud parts, and screamed-into-the-microphone parts (sometimes within the same song). There is rock, orchestral pop, electronica, and a strong sense that this is the start of something beautiful.

    I feel the same way I felt when I first heard The Fleet Foxes, The Arcade Fire or (if you can remember that far back) Jeff Buckley’s “Grace”. I can’t pick out favourite tracks because you just have to listen to it all and see if you have room for it in your life.

    “Atlantis, Oh Our Saviour” can be downloaded for free from Jamendo.

    One album a month for how long?

    British singer/songwriter Sean Wright has been releasing one full album a month for the past year and a half. A couple of weeks ago I started to dip into these, and have so far downloaded about 30 songs, all of which I like to a greater or lesser degree.

    It makes me wonder how much longer he’ll keep doing this, and whether he will ever run out of songs. I also wonder how many of these albums will make it onto Jamendo, because Last.fm is really best suited to individual tracks.

    Review : 13 Segundos de Caida Libre by Icarus Crash

    Icarus Crash are a melodic hard rock group from Malaga in Spain. They sing in Spanish, with a few English phrases thrown in on occasion (I think).

    As I’m not really a fan of the genre, I didn’t expect to like this as much as I do. It sounds like a more compact and more melodic The Mars Volta, but also has a great deal of crossover potential, and I think that this would be a bit hit in rock clubs as it has the sort of energy that will drag people up to dance even if they don’t normally like to. My favourite track is “Ro”, but there isn’t a bad track on it really, and the whole listening experience is really enjoyable, which was a nice surprise.

    The whole album can be streamed or downloaded for free from Jamendo.

    Review : Window Sills by The Wind Whistles

    I was going to wait to review this until Sunday, but as I’ve listened to it a fair few times over the last 24 hours I thought it was worth sharing.

    Window Sills by The Wind Whistles – They think they sound like the Violent Femmes and the Lemonheads. Other people compare them with The Decemberists and the Moldy Peaches. I’d agree with all the above and add the White Stripes and the Fiery Furnaces to the mix.

    The music has a traditional edge, but deals with modern (yet universal) subjects. Both singers can sing, and it sounds like they would be amazing in a live setting (anywhere from a concert hall to a camp fire).

    I think I’ve just found my “walking to work” record for the next few days.